Common Kin however, is more than a store. It is a brand pertaining to a way of life and a way to view life.

Studio intussen created the custom made interior design of Common Kin. The interior of the store is Authentically Surprising, as is the concept and clothing of Common Kin. Yet the surprising design does not affect the functionality and practicality of the store. It is visible that the concept of the shop, the clothing in it, and the interior design add value to each other. The interior is an extension of the concept and welcomes the visitors to come in and be surprised by Common Kin’s wonderful collection.

The interior design of Common Kin is made with raw, natural and basic materials like cardboard, leather and wood. This gives the store an authentic look and feel. The shape of elements used in the store are simple, without excess, but characteristic. This gives the store a clean, yet warm and rich feeling, where everybody can feel welcome.

Owner: Johan Stork

Concept development: Maurice Ajanaku

Graphic design: Jos Kel

Interior design: studio intussen

Material: bamboo

Measurements: 45 x 45 x 45 cm.

Material: anodised aluminium, warm dimmed led-light, electricity wired enforced with steel

The BOOKlamps, the floor graphic and chair design were also custom made for this project. Together they create a unique place for people to sit down, read, talk and eat their lunch.

It is made of 100% woolfelt, which is water and dirt repellent.

Only available in grey.

The ONtable by Dutch designer Tessa Kuyvenhoven incorporates different functionalities.

This stunning table can be used to store your post, paper, laptop, etc. on one side so you can wine & dine at the same time.

Tessa tested the boundaries of a carpenter’s skills when designing this table. It looks physically impossible but it is rock solid.

A true masterpiece, manually made by a Dutch craftsman!

Material: plexwood

For more information and product details, please contact:

info@dutchinteriordesign.nl

The organisation itself was exhibited by literary moving to the exhibition area. The floor surfaces of the offices are indicated by a bright blue and the entire content of the office was moved in these imaginary office spaces. Visitors can interact with the organisation and the exhibition by writing on post-it notes. These notes could be stuck on walls, pillars and floor, so the influence of visitors became visible as it growed and changed during the exhibition.